All Walter Sickert Oil Paintings
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Walter Sickert St Mark's Cathedral, Venice oil painting


St Mark's Cathedral, Venice
Painting ID::  3831 		Artist: Walter Sickert
Painting: St Mark's Cathedral, Venice
Introduction: c1896 25" x 19" Private Collection
   
   
     

 

 

 
 

 

 

 
Walter Sickert Interior of St Mark's, Venice oil painting


Interior of St Mark's, Venice
Painting ID::  3832 		Artist: Walter Sickert
Painting: Interior of St Mark's, Venice
Introduction: 1896 27 1/2" x 19 3/8" Tate Gallery, London
   
   
     

 

 

 
 

 

 

 
Walter Sickert The Old Bedford oil painting


The Old Bedford
Painting ID::  3833 		Artist: Walter Sickert
Painting: The Old Bedford
Introduction: 1897 30" x 23.75" The Walker Art Gallery, Liverpool
   
   
     

 

 

 
 

 

 

 
Walter Sickert The Quai Duquesne and the Rue Notre Dame, Dieppe oil painting


The Quai Duquesne and the Rue Notre Dame, Dieppe
Painting ID::  3834 		Artist: Walter Sickert
Painting: The Quai Duquesne and the Rue Notre Dame, Dieppe
Introduction: 1900 22" x 18.25" Private Collection
   
   
     

 

 

 
 

 

 

 
Walter Sickert The Statue of Duquesne, Dieppe oil painting


The Statue of Duquesne, Dieppe
Painting ID::  3835 		Artist: Walter Sickert
Painting: The Statue of Duquesne, Dieppe
Introduction: 1902 51.5" x 39.75" The City Art Gallery, Manchester
   
   
     

 

 

 
 

 

 

 
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     Check All Walter Sickert's Paintings Here!
     German 1860-1942 Walter Sickert Gallery Walter Richard Sickert (May 31, 1860 in Munich, Germany ?C January 22, 1942 in Bath, England) was a German-born English Impressionist painter. Sickert was a cosmopolitan and eccentric who favoured ordinary people and urban scenes as his subjects He developed a personal version of Impressionism, favouring sombre colouration. Following Degas' advice, Sickert painted in the studio, working from drawings and memory as an escape from "the tyranny of nature".[3] Sickert's earliest major works were portrayals of scenes in London music halls, often depicted from complex and ambiguous points of view, so that the spatial relationship between the audience, performer and orchestra becomes confused, as figures gesture into space and others are reflected in mirrors. The isolated rhetorical gestures of singers and actors seem to reach out to no-one in particular, and audience members are portrayed stretching and peering to see things that lie beyond the visible space. This theme of confused or failed communication between people appears frequently in his art. By emphasising the patterns of wallpaper and architectural decorations, Sickert created abstract decorative arabesques and flattened the three-dimensional space. His music hall pictures, like Degas' paintings of dancers and caf??-concert entertainers, connect the artificiality of art itself to the conventions of theatrical performance and painted backdrops. Many of these works were exhibited at the New English Art Club, a group of French-influenced realist artists with which Sickert was associated. At this period Sickert spent much of his time in France, especially in Dieppe where his mistress, and possibly his illegitimate son, lived . Related Artists to Walter Sickert : | Johann Zoffany | Georg-Heinrich Crola | Jean Joseph Vaudechamp | Giovanni Martinelli | Master of the Prelate Mur |

 

 

 
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